"On Tuesday, physicists at the Large Hadron Collider near Geneva, Switzerland, said that data from two independent experiments had helped them narrow the range of what the mass of the Higgs boson could be. Higgs bosons—if they exist—are created in the giant atom-smashing machine, where they almost instantly decay into other particles. Discovery is based on observing the particles into which they decay.
One experiment, known as Atlas, suggested that the hypothesized Higgs is most likely to have a tiny mass, in the range of 116 to 130 gigaelectronvolts, or GeV. The other experiment pegged mass at 115 to 127 GeV. The experiments were carried out at the European particle physics laboratory CERN near Geneva."
http://online.wsj.com/article/SB10001424052970203430404577096330121408786.html
Wall Street Journal
Tuesday, December 13, 2011
Thursday, December 8, 2011
Acoustic freezer
Thermoacoustic engines (sometimes called "TA engines") are thermoacoustic devices which use high-amplitude sound waves to pump heat from one place to another, or conversely use a heat difference to induce high-amplitude sound waves. In general, thermoacoustic engines can be divided into standing wave and travelling wave devices. These two types of thermoacoustics devices can again be divided into two thermodynamic classes, a prime mover (or simply heat engine), and a heat pump. The prime mover creates work using heat, whereas a heat pump creates or moves heat using work. Compared to vapor refrigerators, thermoacoustic refrigerators have no ozone-depleting or toxic coolant and few or no moving parts therefore require no dynamic sealing or lubrication.
More http://en.wikipedia.org/wiki/Thermoacoustic_heat_engine
More http://en.wikipedia.org/wiki/Thermoacoustic_heat_engine
Wednesday, December 7, 2011
Mollusc shell features in engineering materials
"The mollusc shell is made up of only one mineral: calcium carbonate, yet the combination of that plus other enzymes and proteins gives it remarkable properties in terms of strength, while remaining incredibly light. Prof Mark Rodger, project leader and director of Warwick University’s Centre for Scientific Computing, told The Engineer: ‘The whole point of this project is to try to understand what happens when you make hybrid materials that are partly organic and partly inorganic.’"
Read more: Mollusc shell features could be replicated in synthetic fabrics | News | The Engineer
Monday, December 5, 2011
Hic sunt Garamantes
"Satellites and aerial photographs have revealed evidence of over a hundred fortified farms, villages, and towns - many with castle-like structures - in the southwestern deserts of Libya. These structures date back to between 1 and 500 C.E., meaning they predate the rise of Islam. ...
Archaeologists from the University of Leicester have used all this aerial data to identify as much as they can about the so-called Garamantes people, who are otherwise known purely through Greek and Roman sources. They've already discovered "the mud brick remains of the castle-like complexes, with walls still standing up to four metres high, along with traces of dwellings, cairn cemeteries, associated field systems, wells and sophisticated irrigation systems." "
http://io9.com/5857958/satellites-reveal-libyas-lost-2000+year+old-cities
Archaeologists from the University of Leicester have used all this aerial data to identify as much as they can about the so-called Garamantes people, who are otherwise known purely through Greek and Roman sources. They've already discovered "the mud brick remains of the castle-like complexes, with walls still standing up to four metres high, along with traces of dwellings, cairn cemeteries, associated field systems, wells and sophisticated irrigation systems." "
http://io9.com/5857958/satellites-reveal-libyas-lost-2000+year+old-cities
Friday, December 2, 2011
Raphael's portrait of Leonardo
Published as An image processing of a Raphael's portrait of Leonardo, by Amelia Carolina Sparavigna, Dipartimento di Fisica, Politecnico di Torino, http://arxiv.org/abs/1111.6030
Abstract: In one of his paintings, the School of Athens, Raphael is depicting Leonardo da Vinci as the philosopher Plato. Some image processing tools can help us in comparing this portrait with two Leonardo’s portraits, considered as self-portraits.
There is a portrait in red chalk, dated approximately 1510 and held at the Biblioteca Reale of Turin, which is widely accepted as a self-portrait of Leonardo da Vinci. It is thought that Leonardo drew this self-portrait at the age of 58 or 60 (see Fig.2). Ref.5 tells that this well-known drawing is not universally accepted as a self-portrait, because the depicted face appears to be quite old, suggesting that Leonardo represented his father or grandfather. Another possibility is that Leonardo altered himself, in order that Raphael might use it for his Plato. However, Plato does not look so old in the painting by Raphael.
Fig.2 Leonardo’s portrait in red chalk (dated approx. 1510) held at the Biblioteca Reale of Turin
Fig.3. A page of the Codex on the Flight of Birds contains a Leonardo’s portrait. Using a digital restoration that removes the writing, the portrait appears.
For any comparison with the Raphael’s portrait, we have to complete this image, since the artist abandoned it unfinished. We use another processing tool, the GIMP [15], for this purpose. Using GIMP, we can add this drawing of the young man to the self-portrait in red chalk of the old man. The result is given in Fig.4: besides showing that the two faces have the same relative distances of eyes, nose and mouth, this portrait makes the old Leonardo look younger.
Fig.4 Using GIMP [15] we can add the portrait of the young man (Fig.3, right) to the self-portrait in red chalk (Fig.2) of the old man.
In Figure 5 we have the two images, the Raphael painting on the right and the result of merging the two Leonardo’s drawings on the left, shown side by side. Let me remark that we are looking at two images obtained from originals created by two artists who used different techniques and a different rendering of the head position. Moreover, there is another fact, which is in my opinion quite important, that the two portraits are showing a distinct side of the face. And we know very well that the two sides are not equal and that the existing small differences create the "good" and "bad" side of our faces [16].
Let us remember that for all the living creatures, the bilateral symmetry [17] of the body is an approximate symmetry: the two halves, left and right, of the body and then of the face, are not perfectly symmetrical. The symmetry of human faces is a subject of several studies. Some researchers are supporting the idea that more symmetry means more beauty and freedom from diseases [18-20]. On the other hand, a face, which is too symmetric, gives the impression of being unnatural [21].
Fig.6. Let us consider two canvasses, having on them a self-portrait and a portrait respectively, with the head depicted in the same position. The side of the face is different. When an artist is depicting a self-portrait, he is looking at the face in a mirror. Assuming the position of the head as above, the self-portrait is showing the left side of the face. In the case that it is another artist depicting the portrait, he is looking at the face directly, and then the side depicted is the right one.
The fact that the two sides are different is quite relevant if we are comparing a self-portrait with a portrait, because we must be sure to compare the same side of the face. For the explanation, let me use Fig.6. Let us consider two canvasses, having on them a self-portrait and a portrait, with the head depicted in the same position, the two paintings are showing a different side of the face. When the artist is depicting a self-portrait, he is looking at the face in a mirror. When it is another artist depicting the portrait, he is looking at the face directly. For this reason, if the face on the canvas has the same position, the depicted sides turn out to be different. Therefore, if the left image of Fig.5 is a self-portrait and the right image is a portrait, it is necessary to reflect one of then, to point out that we are seeing different sides.
I decided to change the Raphael’s image, with a reflection and a small rotation using GIMP. Moreover, I converted the colours in grey tones, to avoid the vision of different hues. Fig.7 gives the result. Is the figure showing the same person? I guess that there is this possibility, but further studies are necessary. Let me then avoid a direct answer and just write some conclusions.
Using the image processing we had compared portraits having quite different origins. This is telling that several processing tools, some of them freely available, can help in the study of history and arts. For what concerns the specific case, it seems from Fig.7, that the structure of the two faces, in particular of nose and cheekbones, is quite similar. We can also see that one of the eyes is a little bit larger in both images. According on the previous discussion on portrait and self-portrait (Fig.6), I tend to consider the Raphael’s Plato based on a direct interaction between Raphael and Leonardo, when Raphael was in Florence, and then on a previous portrait or drawing that Raphael made of Leonardo.
References
Abstract: In one of his paintings, the School of Athens, Raphael is depicting Leonardo da Vinci as the philosopher Plato. Some image processing tools can help us in comparing this portrait with two Leonardo’s portraits, considered as self-portraits.
The "Scuola di Atene" is one of the most famous paintings by Raphael, the Italian Renaissance artist. Painted between 1510 and 1511, this fresco decorates the wall of one of the rooms, the "Stanza della Segnatura", in the Apostolic Palaces of Vatican Florence Florence
To see a slide-show of Raphael's masterpieces, visit please https://www.artsy.net/artist/raphael
There is a portrait in red chalk, dated approximately 1510 and held at the Biblioteca Reale of Turin, which is widely accepted as a self-portrait of Leonardo da Vinci. It is thought that Leonardo drew this self-portrait at the age of 58 or 60 (see Fig.2). Ref.5 tells that this well-known drawing is not universally accepted as a self-portrait, because the depicted face appears to be quite old, suggesting that Leonardo represented his father or grandfather. Another possibility is that Leonardo altered himself, in order that Raphael might use it for his Plato. However, Plato does not look so old in the painting by Raphael.
Fig.2 Leonardo’s portrait in red chalk (dated approx. 1510) held at the Biblioteca Reale of
In any case, let us try to find some matching points between the portraits, that of the man in red chalk (Fig.2) - let us call it from now on the self-portrait in red chalk – and the image of Plato (Fig.1) that Raphael had depicted in his fresco. To match the two faces, the image processing is fundamental: in particular, we will use another Leonardo's portrait merged with the self-portrait in red chalk. This portrait is a drawing of the Codex on the Flight of Birds, which Leonardo had partially hidden by his writing, as shown in Fig3, left panel. According to Carlo Pedretti, an Italian historian expert on the life and works of Leonardo, this is a self-portrait [6,7] made when the artist was young. The codex dated approximately 1505, but the portrait is older for sure: Leonardo recycled the paper for the composition of the Codex.
To use this portrait it is necessary to remove the written text. Carlo Pedretti was the first to suggest a “restoration” of this drawing, of course not of the real page of the Codex, but made on a photographic plate. It was only two years ago, in 2009, that Piero Angela, an Italian scientific journalist, presented the digital restoration of the portrait [8,9], that is, the restoration of the corresponding digital image. In 2009, I have proposed a simple approach that uses an iterative procedure based on thresholding and interpolation with nearest neighbouring pixels [10,11]. Recently, I proposed a further processing with a wavelet-filtering program, Iris [12-14]: the result is shown in Fig.3, right panel. According to Pedretti, this is the young Leonardo da Vinci self-portrait.
To use this portrait it is necessary to remove the written text. Carlo Pedretti was the first to suggest a “restoration” of this drawing, of course not of the real page of the Codex, but made on a photographic plate. It was only two years ago, in 2009, that Piero Angela, an Italian scientific journalist, presented the digital restoration of the portrait [8,9], that is, the restoration of the corresponding digital image. In 2009, I have proposed a simple approach that uses an iterative procedure based on thresholding and interpolation with nearest neighbouring pixels [10,11]. Recently, I proposed a further processing with a wavelet-filtering program, Iris [12-14]: the result is shown in Fig.3, right panel. According to Pedretti, this is the young Leonardo da Vinci self-portrait.
Fig.3. A page of the Codex on the Flight of Birds contains a Leonardo’s portrait. Using a digital restoration that removes the writing, the portrait appears.
Fig.4 Using GIMP [15] we can add the portrait of the young man (Fig.3, right) to the self-portrait in red chalk (Fig.2) of the old man.
Fig.5 On the right, the Raphael painting and on the left, the result of a merging of two Leonardo’s drawings
In Figure 5 we have the two images, the Raphael painting on the right and the result of merging the two Leonardo’s drawings on the left, shown side by side. Let me remark that we are looking at two images obtained from originals created by two artists who used different techniques and a different rendering of the head position. Moreover, there is another fact, which is in my opinion quite important, that the two portraits are showing a distinct side of the face. And we know very well that the two sides are not equal and that the existing small differences create the "good" and "bad" side of our faces [16].
Let us remember that for all the living creatures, the bilateral symmetry [17] of the body is an approximate symmetry: the two halves, left and right, of the body and then of the face, are not perfectly symmetrical. The symmetry of human faces is a subject of several studies. Some researchers are supporting the idea that more symmetry means more beauty and freedom from diseases [18-20]. On the other hand, a face, which is too symmetric, gives the impression of being unnatural [21].
Fig.6. Let us consider two canvasses, having on them a self-portrait and a portrait respectively, with the head depicted in the same position. The side of the face is different. When an artist is depicting a self-portrait, he is looking at the face in a mirror. Assuming the position of the head as above, the self-portrait is showing the left side of the face. In the case that it is another artist depicting the portrait, he is looking at the face directly, and then the side depicted is the right one.I decided to change the Raphael’s image, with a reflection and a small rotation using GIMP. Moreover, I converted the colours in grey tones, to avoid the vision of different hues. Fig.7 gives the result. Is the figure showing the same person? I guess that there is this possibility, but further studies are necessary. Let me then avoid a direct answer and just write some conclusions.
Fig.7 Is this the same person?
References
1. Raffaello Sanzio, presentato da M.G. Ciardi Dupré, Milano, Fratelli Fabbri Editore, 1963.
2. Cecil Gould, The Sixteenth Century Italian Schools , National Gallery Catalogues, London
4. The School of Athens
5. Cultural depictions of Leonardo da Vinci,
6.. E. Crispino, C. Pedretti, C. Frost, Leonardo: Art and Science, Giunti, 2001.
7. C. Pedretti, A Chronology of Leonardo Da Vinci's Architectural Studies after 1500, E. Droz, Geneva, 1962.
8. ANSA.it - News in English - Leonardo self- portrait 'discovered', 2009 and also BBC NEWS Europe - 'Early Leonardo portrait' found, 2009.
10. Amelia Carolina Sparavigna, 2009, The Digital Restoration of Da Vinci's Sketches, http://arxiv.org/abs/0903.1448
11. Amelia Carolina Sparavigna, 2009, Digital Restoration of Ancient Papyri, http://arxiv.org/abs/0903.5045
12. Amelia Carolina Sparavigna, 2011, A self-portrait of young Leonardo, http://arxiv.org/abs/1111.4654
13. Iris © 1999-2010, Christian Buil, http://www.astrosurf.com/buil/us/iris/iris.htm
14. Amelia Carolina Sparavigna, 2009, Enhancing the Google imagery using a wavelet filter, http://arxiv.org/abs/1009.1590
15. GIMP © 2001-2011, http://www.gimp.org/
16. I have read on the Glamour Magazine about a simple experiment by P. Gugliemetti, Do You Have A Good Side And Bad Side Of Your Face?, 11-13-2008. The author writes "At a party over the summer, I mentioned to someone how I have a good side and bad side, and she thought I was just being dramatic. So I had her take a photo of each side and we showed the shots to random people in the room, asking them to vote on which side was my prettier one. Every single person voted right! Then we tried this on other people, lining them up one-by-one against a white wall, shooting their sides, and having people vote. Only a couple had equally attractive sides."
17. Bilateral symmetry of a body means that there exists a plane which is dividing the body into two mirror image halves. An operation of reflection shows that the two halves coincide.
18. G. Rhodes and L.A.
19. R.J. Edler, Journal of Orthodontics Vol.28(2), pag.159, 2001
20. K. Grammer and R. Thornhill, Journal of Comparative Psychology, Vol. 108, pag.233, 1994.
21. R. Kowner, Journal of Experimental Psychology: Human Perception and Performance, Vol.22, pag.662, 1996.
Wednesday, November 23, 2011
A young Leonardo
A young Leonardo da Vinci - A superposition of images.
See how I processed them at
http://arxiv.org/abs/1111.4654
and also
http://www.technologyreview.com/blog/arxiv/27361/
Friday, November 18, 2011
Turning darkness into light
"Quantum mechanics tells us that the vacuum is not empty but is filled with virtual particles that pop into and out of existence. Normally these particles are hidden from our view, but now a team of physicists has used the electrical equivalent of an ultrafast mirror to convert virtual photons into real electromagnetic radiation. Known as the dynamical Casimir effect, it was first predicted more than 40 years ago. The static Casimir effect ... 1948, involves two perfectly reflecting parallel mirrors that, when placed in a vacuum, will be attracted to one another. This attractive force is caused by the radiation pressure exerted by virtual photons outside the mirrors and the fact that this pressure exceeds the pressure between the mirrors because of the limited number of modes of electromagnetic vibration that are permitted within this gap. In other words, the force results from a mismatch of electromagnetic modes in space. The dynamical effect was proposed by Gerald Moore in 1970 and is caused by a mismatch of modes in time. The phase of an electromagnetic wave goes to zero at the surface of a mirror, if that mirror is a perfect electrical conductor. When the mirror is moved slowly through a vacuum, this zero point can move with the mirror. However, if the mirror is moved at a significant fraction of the speed of light, then the electromagnetic field does not have time to adjust but instead becomes excited and as a result generates real photons. Put another way, the mirror prises virtual photons (always produced in pairs) apart so that instead of rapidly annihilating, the particles are free to remain as real photons."
Thursday, November 17, 2011
Earth's close encounter of asteroids
"After yet another narrow encounter with an asteroid the size of an airship earlier this week, do we need to pay more attention to technology that could protect our planet and its inhabitants from these turbo-charged cosmic fireworks?"
Should Earth's close encounter trigger asteroid avoidance research? | Opinion | The Engineer
Should Earth's close encounter trigger asteroid avoidance research? | Opinion | The Engineer
Tuesday, November 15, 2011
Leonardo, Genio e Mito
Alla Venaria Reale (Torino) si apre la mostra su Leonardo da Vinci. Il titolo è "Leonardo, il Genio, il Mito".
http://www.lavenaria.it/mostre/ita/mostre/archivio/2011/leonardo.shtml
In esposizione vi è l'autoritratto della Biblioteca Reale e il Codice del Volo.
In una pagina del codice, sotto la scrittora di Leonardo, vi è un ritratto, forse un suo autoritratto da giovane.
Vedi http://staff.polito.it/amelia.sparavigna/da-vinci-portrait.html
http://www.lavenaria.it/mostre/ita/mostre/archivio/2011/leonardo.shtml
In esposizione vi è l'autoritratto della Biblioteca Reale e il Codice del Volo.
In una pagina del codice, sotto la scrittora di Leonardo, vi è un ritratto, forse un suo autoritratto da giovane.
Vedi http://staff.polito.it/amelia.sparavigna/da-vinci-portrait.html
Image processing della pagina del codice, A.C. Sparavigna
Tuesday, November 8, 2011
Bee rescue
Stingless bee rescue, by Wendy Pyper
http://www.abc.net.au/science/articles/2003/05/08/2045526.htm#artBookmarks
"Of the 1600 species of wild bees native to Australia, about 14 species are stingless. As stingless bees are harmless to humans, they have become an increasingly attractive addition to the suburban backyard or verandah.
Most stingless bee keepers are not after honey. Rather, they enjoy the sense of conserving a native species whose original habitat is being increasingly cleared and developed. In return, the bees pollinate crops, garden flowers and bushland during their search for nectar and pollen."
http://www.abc.net.au/science/articles/2003/05/08/2045526.htm#artBookmarks
"Of the 1600 species of wild bees native to Australia, about 14 species are stingless. As stingless bees are harmless to humans, they have become an increasingly attractive addition to the suburban backyard or verandah.
Most stingless bee keepers are not after honey. Rather, they enjoy the sense of conserving a native species whose original habitat is being increasingly cleared and developed. In return, the bees pollinate crops, garden flowers and bushland during their search for nectar and pollen."