C.S. Lewis wrote "The Chronicles of Narnia" as fantasy novels for children. Written between 1949 and 1954, the series is Lewis's most popular work. The books contain Christian ideas intended to be easily accessible to young readers. In addition, Lewis used characters from Greek and Roman mythology as well as traditional British and Irish fairy tales.
According to the paper, "The Wardrobe as Christian Metaphor", by Don W. King, Mythlore 14 (Autumn 1987), C.S. Lewis is aware of how frequently the door is used metaphorically in the New Testament and that Jesus is often associated with a door. In John 14:6 for instance, Jesus tells to be the door to communion with God. Lewis' knowledge of Scriptures is put to work throughout Narnia. As we can read in the paper by Don W. King, "doors are used significantly in the stories and echoes of the Biblical references made above resonate clearly. Four specific points about Lewis' use of doors are noteworthy: 1) Literal doors lead to the Door, Aslan; 2) Aslan is a two-way door; 3) Passage through the different literal doors into Narnia is always unplanned; and 4) All who enter the doors are called into Narnia, but none are compelled to stay; indeed, some who are called do not seem to belong. First, in every instance the literal doors that the children use to enter Narnia eventually lead directly to the Door, Aslan. The doors themselves take on different forms, from the wardrobe door in The Lion, the Witch and the Wardrobe to the framed picture in The Voyage of the Dawn Treader to the railway station in Prince Caspian and The Last Battle to the magic rings and the Wood Between the Worlds in The Magician's Nephew. Literally, the doors function to take the children out of their real world and into a new other world". The doors serve to move the children from the everyday life to a new reality. All the doors inexorably lead to Aslan.
Friday, January 7, 2011
The Doors of Gringotts
"Enter, stranger, but take heed
Of what awaits the sin of greed,
For those who take, but do not earn,
Must pay most dearly in their turn.
So if you seek beneath our floors
A treasure that was never yours,
Thief, you have been warned, beware
Of finding more than treasure there."
—Inscription on the doors of Gringotts
Of what awaits the sin of greed,
For those who take, but do not earn,
Must pay most dearly in their turn.
So if you seek beneath our floors
A treasure that was never yours,
Thief, you have been warned, beware
Of finding more than treasure there."
—Inscription on the doors of Gringotts
"Gringotts Wizarding Bank is the only known bank of the wizarding world, and is owned and operated by goblins. It was created by the goblin Gringott. Its main offices are located in Diagon Alley in London, England. In addition to storing money and valuables for wizards and witches, one can go there to exchange Muggle money for wizarding money. According to Rubeus Hagrid, other than Hogwarts School of Witchcraft and Wizardry, Gringotts is the safest place in the wizarding world."
The Gate of Hell
"Per me si va ne la citta` dolente,
per me si va ne l'etterno dolore,
per me si va tra la perduta gente.
Giustizia mosse il mio alto fattore:
fecemi la divina podestate,
la somma sapienza e 'l primo amore.
Dinanzi a me non fuor cose create
se non etterne, e io etterno duro.
Lasciate ogne speranza, voi ch'intrate".
Queste parole di colore oscuro
vid'io scritte al sommo d'una porta.
per me si va ne l'etterno dolore,
per me si va tra la perduta gente.
Giustizia mosse il mio alto fattore:
fecemi la divina podestate,
la somma sapienza e 'l primo amore.
Dinanzi a me non fuor cose create
se non etterne, e io etterno duro.
Lasciate ogne speranza, voi ch'intrate".
Queste parole di colore oscuro
vid'io scritte al sommo d'una porta.
"Through me you pass into the city of woe:
Through me you pass into eternal pain:
Through me among the people lost for aye.
Justice the founder of my fabric mov'd:
To rear me was the task of power divine,
Supremest wisdom, and primeval love.
Before me things create were none, save things
Eternal, and eternal I endure.
All hope abandon ye who enter here."
Such characters in colour dim I mark'd
Over a portal's lofty arch inscrib'd.
Coccodrilli e fossili nelle chiese
Pare che la presenza di coccodrilli nelle chiese non sia una rarita', da come si puo' vedere con una semplice ricerca su Internet. Ho, per esempio, trovato il Santuario della Beata Vergine di Mantova dove un rettile pende dal soffitto. Si legge nel sito, che in epoca cristiana le figure di draghi coccodrilli o serpi venivano spesso associate al male, considerate personificazioni terrene del diavolo. "La collocazione di questi animali nelle chiese ha quindi un forte significato simbolico, come furono nelle chiese medievali l'ubicazione di fossili preistorici; quindi, incatenare l'animale in alto, nella volta della chiesa vuol dire renderlo innocuo, bloccare il male che rappresenta e nello stesso tempo esporre un monito concreto per i fedeli contro l'umana predisposizione all'errore."
Palazzo Madama
Vedi anche A dinosaur in church, Saint Bertrand's crocodile (questo coccodrillo è descritto in un racconto di M R James - Canon Alberic's Scrapbook)
A dinosaur in church
Very interesting: in marble objects and decorations of churches we can find remains of past eons.
See the item DINOSAUR SKULL FOUND IN CHURCH, by Rossella Lorenzi. "Encased in pinkish marble-like slabs supporting a balustrade, this dinosaur - or what's left of it - has for centuries been the most faithful presence in the Cathedral of St. Ambrose in Vigevano, a town about 20 miles from Milan. The rock contains what appears to be a horizontal section of a dinosaur’s skull.
See the item DINOSAUR SKULL FOUND IN CHURCH, by Rossella Lorenzi. "Encased in pinkish marble-like slabs supporting a balustrade, this dinosaur - or what's left of it - has for centuries been the most faithful presence in the Cathedral of St. Ambrose in Vigevano, a town about 20 miles from Milan. The rock contains what appears to be a horizontal section of a dinosaur’s skull.
Saint Bertrand's crocodile
Very ancient and beautiful cathedral
http://www.cathedrale-saint-bertrand.org/chronologie.html
having a curoius stuffed crocodile on a pillar, as told in the M R James' novel "Canon Alberic' scrapbook",
http://polymathe.over-blog.com/article-21678667.html
http://www.cathedrale-saint-bertrand.org/chronologie.html
having a curoius stuffed crocodile on a pillar, as told in the M R James' novel "Canon Alberic' scrapbook",
http://polymathe.over-blog.com/article-21678667.html
M R James - Canon Alberic's Scrapbook
Racconto di M R James dove un collezionista di volumi rari si imbatte, nel paesino dei Pirenei, in un taccuino molto speciale. Il racconto si apre con la visita del protagonista alla cattedrale, dove un coccodrillo impagliato è appeso ad una parete.
"St. Bertrand de Comminges is a decayed town on the spurs of the Pyrenees, not very far from Toulouse, and still nearer to Bagnères-de-Luchon. It was the site of a bishopric until the Revolution, and has a cathedral which is visited by a certain number of tourists. In the spring of 1883 an Englishman arrived at this old-world place ... He was a Cambridge man, who had come specially from Toulouse to see St Bertrand's Church... (He) proposed to himself to fill a notebook and to use several dozens of plates in the process of describing and photographing every corner of the wonderful church that dominates the little hill of Comminges...
"St. Bertrand de Comminges is a decayed town on the spurs of the Pyrenees, not very far from Toulouse, and still nearer to Bagnères-de-Luchon. It was the site of a bishopric until the Revolution, and has a cathedral which is visited by a certain number of tourists. In the spring of 1883 an Englishman arrived at this old-world place ... He was a Cambridge man, who had come specially from Toulouse to see St Bertrand's Church... (He) proposed to himself to fill a notebook and to use several dozens of plates in the process of describing and photographing every corner of the wonderful church that dominates the little hill of Comminges...
However, the Englishman (let us call him Dennistoun) was soon too deep in his notebook and too busy with his camera to give more than an occasional glance to the sacristan. Whenever he did look at him, he found him at no great distance, either huddling himself back against the wall or crouching in one of the gorgeous stalls. Dennistoun became rather fidgety after a time. Mingled suspicions that he was keeping the old man from his déjeuner, that he was regarded as likely to make away with St Bertrand's ivory crozier, or with the dusty stuffed crocodile that hangs over the font, began to torment him.
'Won't you go home?' he said at last; 'I'm quite well able to finish my notes alone; you can lock me in if you like. I shall want at least two hours more here, and it must be cold for you, isn't it?'
'Good Heavens!' said the little man, whom the suggestion seemed to throw into a state of unaccountable terror, 'such a thing cannot be thought of for a moment. Leave monsieur alone in the church? No, no; two hours, three hours, all will be the same to me...
'Won't you go home?' he said at last; 'I'm quite well able to finish my notes alone; you can lock me in if you like. I shall want at least two hours more here, and it must be cold for you, isn't it?'
'Good Heavens!' said the little man, whom the suggestion seemed to throw into a state of unaccountable terror, 'such a thing cannot be thought of for a moment. Leave monsieur alone in the church? No, no; two hours, three hours, all will be the same to me...
Spicules – plasma jets on the Sun
A mystery: why is the Sun's outer atmosphere – or corona – so much hotter than its surroundings?
"The corona, the vast gossamer atmosphere of plasma visible from Earth during a total solar eclipse, can notch up temperatures in excess of one million degrees Kelvin (MK). Several rival explanations have jostled to account for why the corona is unexpectedly over 200 times hotter than the visible surface, or photosphere, of the Sun".
"The corona, the vast gossamer atmosphere of plasma visible from Earth during a total solar eclipse, can notch up temperatures in excess of one million degrees Kelvin (MK). Several rival explanations have jostled to account for why the corona is unexpectedly over 200 times hotter than the visible surface, or photosphere, of the Sun".
It could be the action of spicules to increase the coronal temperature.
Profiles - Ibn al-Haytham
"The Scholar and the Caliph" by Jennifer Ouellette is a work of fiction, a imagining of a 10-year period in the life of the medieval Muslim polymath Ibn al-Haytham (AD 965–1040) considered by many historians to be the father of modern optics. He lived during the golden age of Arabic science, creating an early version of the scientific method, two hundred years before scholars in Western Europe. He is most celebrated for his Book of Optics.
