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Benvenuti in queste pagine dedicate a scienza, storia ed arte. Amelia Carolina Sparavigna, Torino

Wednesday, January 14, 2015

Tianluokeng Tulou cluster

Tianluokeng tulou cluster is one of the better known groups of Fujian Tulou. It is located in Fujianprovince, Zhangzhou City, Nanjing County, Shuyang Township, Tian Luo Keng Village (literally "Snail Pit" Village) in southern China. The cluster consists of a square earth building at the center of a quincunx, surrounded by four round earth buildings (or more exactly, 3 round earth buildings and one oval shape earth building).
More at Wikipedia: http://en.wikipedia.org/wiki/Tianluokeng_Tulou_cluster


Friday, January 9, 2015

Castlerigg stone circle

The stone circle at Castleriggis situated near Keswick in Cumbria. One of around 1,300 stone circles in the British Isles and Brittany, it was constructed as a part of a megalithic tradition that lasted from 3,300 to 900 BCE, during the Late Neolithic and Early Bronze Ages. (Wikipedia). It is in a location northern of the Hardknott Roman Fort.To have a detailed discussion of the alignment of the stones at Castlerigg, please visit this site
http://www.ancient-wisdom.co.uk/englandcastlerigg.htm

In the following images, using SunCalc, we cans ee how the sun is moving above this stone circle.


Summer solstice


Winter solstice

Here the map showing position of the stone circle and of the roman fort.


SunCalc at the Hardknott Roman Fort

As told by its owner (Vladimir Agafonkin), SunCalc is an app that shows sun movement and sunlight phases during the given day at the given location, where we can see sun positions at sunrise, specified time and sunset. A thin orange curve is the current sun trajectory, and the yellow area around is the variation of sun trajectories during the year. The closer a point is to the center, the higher is the sun above the horizon.


Here an example: SunCalc at the hardkontt Roman Fort


Summer solstice


Winter solstice

More at:
http://www.foxnews.com/science/2015/01/07/let-in-light-ancient-roman-fort-designed-for-celestial-show/

Suncalc and ancient Sun

In a recent paper, entitled "Was Lepenski Vir an ancient Sun or Pleiades observatory?", the authors Vladan Pankovic, Milan Mrdjen and Miodrag Krmar, have discussed the hypotesis of the mesolithic village Lepenski Vir (9500 -- 5500 BC) as an ancient (one of the oldest) Sun observatory. The authors had been so kind to follow a method I suggested of using "freely available software" for the local Sun radiation direction simulation. I used sollumis.com , they used the suncalc.net software.
Here an example of suncalc software.



 

Wednesday, December 31, 2014

Atlantis Orichalcum


Ripescato nel mare di Gela il tesoro di Atlantide
 
La Soprintendenza del Mare ha riportato alla luce 39 lingotti di Oricalco: risalgono a 2600 anni fa. Per Platone era il misterioso metallo di Atlantide.

Un tesoro è stato ripescato nel litorale di contrada “Bulala” nel mare di Gela, in una zona che in passato ha restituito i resti di ben tre navi arcaiche. All’interno di un relitto databile alla prima metà del VI secolo a. C., 39 lingotti di un materiale nobile, l’Oricalco, simile al moderno ottone, noto nell’antichità come metallo prezioso, tanto da essere considerato al terzo posto per valore commerciale, dopo oro e argento.

https://web.archive.org/web/20161020063759/http://www.globalist.it/Detail_News_Display?ID=67282&typeb=0&Ripescato-nel-mare-di-Gela-il-tesoro-di-Atlantide



Oricalco, museo di Gela
Immagine Cortesia di Emanuele Riela - Opera propria



Wednesday, December 24, 2014

Artù a Mediobogdum (Hardknott Roman Fort)

"Il forte è il luogo in cui un Artù bambino trascorre gli anni dell'infanzia, vegliato e istruito da un giovane Merlino"
http://it.wikipedia.org/wiki/Mediobogdum

Friday, December 19, 2014

Solstices at the Hardknott Roman Fort

A roman fort in Britannia, a specific orientation to solstices




More at SSRN



Solstices at the Hardknott Roman Fort

Amelia Carolina Sparavigna

Department of Applied Science and Technology, Politecnico di Torino



Abstract

From the most ancient times, the Roman military camps were planned according to a certain ideal pattern that was also applied to the coloniae, the outposts established in the territories conquered by Rome. The planning of castra and colonies was based on a chessboard of parallel streets, the main of them being the Decumanus. Probably, some Decumani were oriented to confer a symbolic meaning to the place too. Here we discuss the distinctive layout of a castrum in the Roman Britannia, the Hardknott Fort, and its orientation to the solstices.

Keywords: Archeoastronomy, Solar Orientation, Solstices, Urban Planning, Satellite Images, Google Earth.

Wednesday, November 5, 2014

Carbon Dioxide Concentration and Emissions in Atmosphere: Trends and Recurrence Plots

The increase of carbon dioxide concentration in atmosphere, due to anthropogenic emissions, is almost generally considered as responsible of global climate changes. We show some data of CO2 concentration and its emission in atmosphere, using the recurrence plots to enhance the visualization of their trends.  See more at: http://www.ijsciences.com/pub/article/582#sthash.L4dBnzsh.dpuf

Data of CO2 concentration in atmosphere, from [1]. The range is from January 1958 to October 2014. In the image we see the recurrence plot. The global annual mean concentration of CO2 in the atmosphere is currently rising at a rate of approximately 2 ppm/year and accelerating [1]. This acceleration is shown by the recurrence plot, where colours are narrowing towards the diagonal line.
[1] Tans, P. & Keeling R. (2014). Trends in atmospheric carbon dioxide, Oceanic & Atmospheric Administration (NOAA). At www.esrl.noaa.gov/ gmd/ ccgg/ trends/


About 1970, the oil production and import of US had a sharp peak (data from Ref.12). Note how the corresponding recurrence plot evidences this peak.
[12] Vv.Aa. (2014). U.S. Energy Information Administration (EIA), at www.eia.gov/petroleum/

 See more at: http://www.ijsciences.com/pub/article/582#sthash.L4dBnzsh.dpuf

Wednesday, August 13, 2014

Geoglyphs of Titicaca - 2 - A snake


The image, obtained from Google Maps, shows the network of earthworks separated by canals - near the Titicaca Lake. This is an ancient agricultural technique used by Andean people starting from the first millennium BC. 


More on Titicaca

arXiv:1009.4602 [pdf] Geoglyphs of Titicaca as an ancient example of graphic design,
Amelia Carolina Sparavigna
arXiv:1009.2231 [pdf] Symbolic landforms created by ancient earthworks near Lake Titicaca, Amelia Carolina Sparavigna

A.C. Sparavigna (2012) 
Image Processing for the Enhancement of Satellite Imagery. In: Image Processing: Methods, Applications and Challenges / Vítor Hugo Carvalho. Nova Science Publishers, Inc. (USA), pp. 149-161. ISBN 9781620818442 

A.C. Sparavigna, R. Marazzato (2011)
Using Geographic Information Systems to Increment the Knowledge of Cultural Landscapes. In: Smart Tech & Smart Innovation, La strada per costruire il futuro, Torino, 15-17 Novembre 2011. 
[img] [img]
A.C. Sparavigna (2010)
The geoglyphs of Titicaca. In: ARCHAEOGATE n. 13-10-. - ISSN 1973-2953 
[img] [img]

Tuesday, August 12, 2014

Geoglyphs of Titicaca - 1



Earthworks near Titicaca Lake create "geoglyphs"
These earthworks are known as "raised fields" and "waru-warus".

The image, obtained from Google Maps, shows the network of earthworks separated by canals - near the Titicaca Lake (Huata, Puno, Peru). This is an ancient agricultural technique used by Andean people starting from the first millennium BC. Note that the structure of the network is created after a careful planning. Each raised field is approximately 10 meters large and more than one hundred long.


More on Titicaca

arXiv:1009.4602 [pdf] Geoglyphs of Titicaca as an ancient example of graphic design,
Amelia Carolina Sparavigna
arXiv:1009.2231 [pdf] Symbolic landforms created by ancient earthworks near Lake Titicaca, Amelia Carolina Sparavigna

A.C. Sparavigna (2012) 
Image Processing for the Enhancement of Satellite Imagery. In: Image Processing: Methods, Applications and Challenges / Vítor Hugo Carvalho. Nova Science Publishers, Inc. (USA), pp. 149-161. ISBN 9781620818442 

A.C. Sparavigna, R. Marazzato (2011)
Using Geographic Information Systems to Increment the Knowledge of Cultural Landscapes. In: Smart Tech & Smart Innovation, La strada per costruire il futuro, Torino, 15-17 Novembre 2011. 
[img] [img]
A.C. Sparavigna (2010)
The geoglyphs of Titicaca. In: ARCHAEOGATE n. 13-10-. - ISSN 1973-2953 
[img] [img]


Saturday, April 19, 2014

Robert Grosseteste, De Luce, On Light

Robert Grosseteste's Thought on Light and Form of the World
A.C. Sparavigna
THE INTERNATIONAL JOURNAL OF SCIENCES
2014, Volume: 3, Numero: 4, Pagine: pp. 54-62
ISSN: 2305-3925
Abstract: Robert Grosseteste was one of the most prominent thinkers of the Thirteenth Century. Philosopher and scientist, he proposed a metaphysics based on the propagation of light. In this framework, he gave a cosmology too. Here we will discuss the treatise where Grosseteste proposed it, that entitled 'De luce, seu de incohatione formarum', 'On Light and the Beginning of Forms'
Parole chiave: medieval science, cosmogony, history of physics, history of science, robert grosseteste, big bang, cosmology
http://www.ijsciences.com/pub/article/486

You can find some papers of mine about Robert Grosseteste at this link:
http://www.ijsciences.com/pub/author/342

Wednesday, April 9, 2014

Robert Grosseteste and his Big Bang

"From Rome to the Antipodes: The Medieval Form of the World," International Journal of Literature and Arts. Vol. 1, No. 2, 2013, pp. 16-25. doi:10.11648/j.ijla.20130102.11

9. Grosseteste and the Sphere of Light
Robert Grosseteste (1175-1253) was an English philosopher who became the Bishop of Lincoln. As a scientist he had a quite important role in the medieval school of Oxford [32]. In his works, in particular in the commentaries of Aristotle’s philosophy, Grosseteste devised a scientific method. From particular observations, we can find a universal law, and then, from these laws we can predict some peculiar cases. Grosseteste called this “resolution and composition” [33]. As a consequence, Grosseteste tells that physics needs the ‘experimentum’, that is, a proof from experience. These ideas were a prelude for the Galilean science in the 17th century [34]. The method of “resolution and composition” was applied to geometry and optics. Moreover, optics is described by geometry, because optics depends on geometry. As a conclusion, Grosseteste argued that mathematics was the highest science, basis for all others. Here we see that he understood the necessity to describe the physical phenomena in a mathematic formalism. Grosseteste believed that at the beginning of times, it wasthe light to move the universe. In his “De Luce”, Grosseteste explains the origin of the world. God created matter and light together in a point. Due to its nature the light propagated isotropically in all directions. It immediately became a sphere and, accordingly, dragged by the light, the matter started to expand. The creation is then explained by means of a sphere of light [35].
Grosseteste's work in optics was continued by Roger Bacon. There is also an interesting quotation often reported in the history of telescope. In his treatise entitled “De Iride”, Grosseteste writes that a part of optics, “when well understood, shows us how we may make things a very long distance off appear as if placed very close, and large near things appear very small, and how we may make small things placed at a distance appear any size we want, so that it may be possible for us to read the smallest letters at incredible distances, or to count sand, or seed, or any sort of minute objects.” It is probable that Grosseteste made some experiments using lenses and mirrors [36,37].
[32] N. Lewis, Robert Grosseteste, in The Stanford Encyclopedia of Philosophy, 2010, E.N. Zalta ed.
[33] H.G. Gauch, Jr., Scientific Method in Practice, Cambridge University Press, 2003, p.222.
[34] W. A. Wallace, Prelude to Galileo: Essays on Medieval and Sixteenth-Century Sources of Galileo's Thought, Springer, 1981.
[35] F. Adorno, T. Gregory and V. Verra, Storia della Filosofia, Bari: Laterza, 1973.
[36] A.C. Sparavigna, "Translation and discussion of the De Iride, a treatise on optics by Robert Grosseteste," arXiv, 2012, History and Philosophy of Physics, arxiv:1211.5961.
[37] A.C. Sparavigna, "Reflection and refraction in Robert Grosseteste's De Lineis, Angulis et Figuris," arXiv, 2013, History and Philosophy of Physics, arxiv:1302.1885.

A translation of Grosseteste's treatise on Big Bang at
A.C. Sparavigna (2014) , Robert Grosseteste's Thought on Light and Form of the World. In: THE INTERNATIONAL JOURNAL OF SCIENCES, vol. 3 n. 4, pp. 54-62. - ISSN 2305-3925
 at http://www.ijsciences.com/pub/article/486

I have translated and discussed some Grosseteste's treatises, you can find th links to download them freely at
http://physics-sparavigna.blogspot.it/2014/04/robert-grosseteste_8.html

Grossatesta ed il Big Bang

Roberto Grossatesta è il filosofo medievale che si è posto il problema dell'origine del mondo, un modo ancora tolemaico con al suo centro la Terra. Come dice la Genesi "e la luce fu". La luce nella sua espansione sferica porta con se la materia e crea il mondo.

Dalla pagina sul "Ilemorfismo universale"
http://www3.unisi.it/ricerca/prog/fil-med-online/temi/htm/ilemorfismo.htm
La cosmologia: Roberto Grossatesta. All’interno di una visione cosmologica, anche Roberto Grossatesta, capofila della tradizione francescana a Oxford, pone i rapporti tra forma e materia nei termini di una intrinseca unione. Accogliendo pienamente alcuni aspetti della speculazione scientifica araba, egli parla della luce come “prima forma della corporeità”. Oggetto della creazione divina, la luce sintetizza la forma e la materia nella loro esistenza primordiale. Assolutamente semplice e priva di dimensionalità, essa produce la materia estesa moltiplicandosi infinitamente. Grossatesta affida dunque alla luce l’esistenza di una materialità sottile, di per sé e sin dall’origine dotata di forma. La naturale e necessaria autopropagazione della luce gli consente, inoltre, di spiegarne il dinamismo intrinseco, da cui nasce l’intero cosmo: che raccoglie la luce originaria come lumen nel mondo astrale e come virtus in quello elementare, senza perdere il suo carattere unitario dato dall’unica forma corporea da cui è provenuto.


Dal CORSO DI STORIA DELLA FILOSOFIA PER I LICEI E PER GLI ADULTI CHE DESIDERANO CONOSCERLA: DALLA FILOSOFIA ANTICA A QUELLA CONTEMPORANEA, s cura di Francesco Lorenzoni, 2012, V.1, FILOSOFIA ANTICA E MEDIEVALE
"Ad Oxford Roberto Grossatesta, francescano, nato nel 1175, compie studi di specifica natura scientifica ed empirica sulle proprietà degli specchi e sulle lenti, benché all'interno di una "cosmologia della luce" (la prima realtà creata è la luce e le nove sfere celesti, mentre i quattro elementi terrestri si formano attraverso processi di diffusione, aggregazione e disgregazione della luce). Ma soprattutto egli esprime un principio che sarà a fondamento del pensiero di Galileo e della fisica moderna, vale a dire il principio dell'utilità dello studio delle linee, degli angoli e delle figure geometriche, poiché senza di esso non si può conoscere niente della filosofia naturale."

La teoria della luce di Roberto Grossatesta



estratto "Da Democrito ai quark, le grandi intuizioni della Fisica"
volume realizzato per il LXXXVII Congresso Nazionale della Società Italiana di Fisica

Tuesday, April 8, 2014

Robert Grosseteste

A.C. Sparavigna (2014)
De Calore Solis, a Treatise on Heat by Robert Grosseteste. In: THE INTERNATIONAL JOURNAL OF SCIENCES, vol. 3 n. 1, pp. 27-31. - ISSN 2305-3925

A.C. Sparavigna (2014)
Robert Grosseteste and the Colours. In: THE INTERNATIONAL JOURNAL OF SCIENCES, vol. 3 n. 1, pp. 1-6. - ISSN 2305-3925

A.C. Sparavigna (2013)
From Rome to the Antipodes: The Medieval Form of the World. In: INTERNATIONAL JOURNAL OF LITERATURE AND ART, vol. 1 n. 2, pp. 16-25.

A.C. Sparavigna (2013)
Gabrio Piola e il suo Elogio di Bonaventura Cavalieri. Lulu Press, Inc, Raleigh, North Carolina , pp. 1-79. ISBN 9781291298567

A.C. Sparavigna (2013)
The Generation of Sounds According to Robert Grosseteste. In: THE INTERNATIONAL JOURNAL OF SCIENCES, vol. 2 n. 10, pp. 1-5. - ISSN 2305-3925

A.C. Sparavigna (2013)
On the Rainbow, a Robert Grosseteste's Treatise on Optics. In: THE INTERNATIONAL JOURNAL OF SCIENCES, vol. 2 n. 9, pp. 108-113. - ISSN 2305-3925

A.C. Sparavigna (2013)
Reflection and refraction in Robert Grosseteste's De Lineis, Angulis et Figuris. arXiv.org, Cornell University Library, Ithaca NY.

A.C. Sparavigna (2013)
Robert Grosseteste and his Treatise on Lines, Angles and Figures of the Propagation of Light. In: THE INTERNATIONAL JOURNAL OF SCIENCES, vol. 2 n. 9, pp. 101-107. - ISSN 2305-3925

A.C. Sparavigna (2013)
Robert Grosseteste and the Four Elements. In: THE INTERNATIONAL JOURNAL OF SCIENCES, vol. 2 n. 12, pp. 42-45. - ISSN 2305-3925

A.C. Sparavigna (2013)
Robert Grosseteste: the geometry to solve the complexity of the world. Scribd, San Francisco.

Sparavigna A.C. (2012)
Discussion of the De Generatione Sonorum, a treatise on sound and phonetics by Robert Grosseteste. Scribd, San Francisco, California.

A.C. Sparavigna (2012)
From Rome to the Antipodes: the medieval form of the world. arXiv.org, Cornell UniversityLibrary.

Sparavigna A.C. (2012)
Robert Grosseteste's colours. arXiv.org, Cornell University Library, Ithaca, NY.

Sparavigna A.C. (2012)
Sound and motion in the De Generatione Sonorum, a treatise by Robert Grosseteste. arXiv, Cornell University Library, Ithaca, NY.

Sparavigna A.C. (2012)
Translation and discussion of the De Iride, a treatise on optics by Robert Grosseteste. arXiv, Cornell University Library, Ithaca, NY.

Saturday, March 22, 2014

The Pantheon as an astronomic instrument

Fiorenzo Laurelli (Twitter) published some interesting images on the sun in the Roman Pantheon.
In occasion of the Equinox he shows the light of the sun falling in this amazing temple. He is also providing an interesting reference of this subject: Il Pantheon come strumento astronomico, Fausto Masi, International EILES, 1996 .
Let us remember that the Pantheon is a building made of concrete. For more information on ancient concrete, see please my paper at the link http://www.ijsciences.com/pub/article/412




Saturday, February 1, 2014

stone circle - 2 - Jordan

Stone circles in Jordan.
Syrian desert.


Stone circle and desert kite

Stone circle and desert kite in Jordan

Stone circle - Jordan - 1


A stone circle in Jordan

About Jordan and the Syrian Desert, see also:

Desert kites - 1


The Syrian Desert is an arid land of south-western Asia, extending from the northern Arabian Peninsula to the eastern Jordan, southern Syria, and western Iraq, largely covered by lava fields. Considered in the past as a barrier between Levant and Mesopotamia, it is now crossed by several routes and pipelines. This desert possesses two volcanic regions. One is the Jabal al-Druze, in the As-Suwayda Governorate. The other field is that of the Harrat Ash Shaam.

When we observe this desert from space, we discover that this harsh environment was probably quite populated in ancient times. We can conclude this fact from some huge stone structures, the "desert kites", that can be easily seen in the images recorded by satellites. These structures were firstly observed by pilots of the Royal Air Force in the 1920s, flying over the desert. These pilots named them "kites", because these lines reminded of kites used by children to play, but in fact they are huge hunting traps.

We usually imagine our ancestors, before they settle down, as people simply hunting and gathering for food, but this is not true. The "desert kites" are the remains of an ancient hunting technique based on stone-walled traps, the construction of which surely involved several people for long times. The desert kites were used to push large herds of animals into some enclosures, or, in the worse case, to fall off from steep cliff edges. The simplest structure of a desert kite has a triangular shape, consisting of two long, low walls built of stones and arranged in a V-shape, like a  funnel, ending as a corral. Hunters pushed the game between the walls, trapping then the animals into the end of the structure. It is usually considered that animals were slaughtered “en masse”.

Typically, a desert kite possesses two, three or more small circular enclosures on the edge of its corral. Some ancient rock art images show these hunting traps, depicting the role of the 'walls' of the kites. Let us note that these walls are low and then not able to stop any game. In fact, the walls are not walls at all: they are the basements, in the rocky harraat, where stick some poles and build a fence with branches. These structures create a visual effect as a barrier for the animals.



"Kite" rock-drawing from Jordan,  G.L. Harding: The Cairn of Hani, Antiquity 28,1954:pp 165-7
(2007-02-22) In 1951, Harding discovered a burial cairn with Safaitic inscriptions. On one of the stones was scratched a hunting scane.The cairn is located in the heart of the 'Kite' area,there is no doubt that the drawing depicts a scane of the gazelles being hunted in such a' Kite'.

References
23 June 2011,  http://arxiv.org/abs/1106.4665 , http://arxiv.org/pdf/1106.4665v1.pdf
February 2009, Khaybar Desert Kites, Vanja Janežic
alsahra.org/wp-content/uploads/2009/02/khaybar-desert-kites.pdf
http://www.megalithic.co.uk/article.php?sid=2146412866

Friday, December 27, 2013

Trundholm Sun Chariot and Langstrup Plate

Read please this post, very interesting

Les dues vides del Carro Solar de Trundholm, Publicat per Albert
títol del TREBALL DE FINAL DE GRAU,  carrera d'Humanitats  a la UNIVERSITAT POMPEU FABRA.
at http://alauniversitat.blogspot.it/2013/11/les-dues-vides-del-carro-solar-de.html
And also /news.discovery.com/history/archaeology/bronze-age-calendar-120330.htm



By Nationalmuseet, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=47971456

See also: http://arxiv.org/abs/1203.2512
Ancient bronze disks, decorations and calendars, Amelia Carolina Sparavigna
(12 Mar 2012) Recently, it was published that some ancient bronze disks could had been calendars, that is, that their decorations had this function. Here I am discussing an example, the disk of the Trundholm Sun Chariot, proposing a new interpretation of it, giving a calendar of 360 days. Some geometric diagrams concerning the decoration layout are also proposed. Comments: Ancient calendars, ancient time-keeping, Bronze Age, Trundholm Sun Chariot
Cite as: arXiv:1203.2512 [physics.pop-ph]

See also http://arxiv.org/abs/1203.4103
Number pi from the decoration of the Langstrup plate, Amelia Carolina Sparavigna
(19 Mar 2012), Studies of ancient bronze artifacts can be useful in understanding the progression of human knowledge of mathematics and geometry. Here I discuss the decoration composed by several circles and spirals of the Langstrup belt disk, an artifact of the Bronze Age found in Denmark. I am showing by measurements of diameters and distances of spirals, that the artist who made the decoration knew some approximations by rational numbers of the number pi, the dimensionless physical quantity representing the ratio of circumference to diameter. Comments: Ancient measurements of pi as ratio of circumference and diameters, giving rational numbers,
Cite as: arXiv:1203.4103 [physics.pop-ph]

Thursday, October 24, 2013

A literary experiment on Harry Potter and his social network

Literary works can be analyzed in the framework of the network theories, as proposed for instance by the Stanford Literary Laboratory, in some of their experiments. The plot of a play or a novel, can be displayed as a network of interacting characters, where the timeline of the plot is projected on a planar graph. We can discuss this approach and apply it to the first novel of the Harry Potter series written by J.K. Rowling, entitled Harry Potter and the Philosopher's Stone. Besides being an entertaining application for teaching networks, this approach can help in highlighting some features of the plot structure.

More details at:A.C. Sparavigna, On Social Networks in Plays and Novels, The International Journal of Sciences, Volume 3, Issue 10, 2013, Pages: 20-25
 DOI: 10.18483/ijSci.312
http://www.ijsciences.com/pub/article/312

Tuesday, September 3, 2013

Sea Silk (Bisso)

From Wikipedia - ...
China never managed to reach the Roman Empire directly in antiquity, although general Ban Chao sent Gan Ying as an envoy to "Daqin" in 97 AD. Gan Ying did not reach Daqin, he stopped at the coast of a large sea, because "sailor(s) of the Parthian west border" told him that the voyage to cross the sea might take a long time and be dangerous. Gan Ying left a detailed account of the Roman Empire, but it is generally considered to have been based on second hand information:
The Kingdom of Da Qin (the Roman Empire) is also called Lijian. As it is found to the west of the sea, it is also called the Kingdom of Haixi ("West of the Sea"). The territory extends for several thousands of li. It has more than four hundred walled towns. There are several tens of smaller dependent kingdoms. The walls of the towns are made of stone. They have established postal relays at intervals, which are all plastered and whitewashed. There are pines and cypresses, as well as trees and plants of all kinds.
- Gan Ying gives a very idealistic view of Roman governance which is likely the result of some story he was told while visiting the Persian Gulf in 97 AD. He also described, less fancifully, Roman products:
Their kings are not permanent. They select and appoint the most worthy man. If there are unexpected calamities in the kingdom, such as frequent extraordinary winds or rains, he is unceremoniously rejected and replaced. The one who has been dismissed quietly accepts his demotion, and is not angry. The people of this country are all tall and honest. They resemble the people of the Middle Kingdom and that is why this kingdom is called Da Qin. This country produces plenty of gold [and] silver, [and of] rare and precious [things] they have luminous jade, 'bright moon pearls,' Haiji rhinoceroses, coral, yellow amber, opaque glass, whitish chalcedony, red cinnabar, green gemstones, gold-thread embroideries, woven gold-threaded net, delicate polychrome silks painted with gold, and asbestos cloth.
They also have a fine cloth which some people say is made from the down of 'water sheep' [sea silk], but which is made, in fact, from the cocoons of wild silkworms (wild silk). They blend all sorts of fragrances, and by boiling the juice, make a compound perfume. [They have] all the precious and rare things that come from the various foreign kingdoms. They make gold and silver coins. Ten silver coins are worth one gold coin. They trade with Anxi [Parthia] and Tianzhu [North-western India] by sea. The profit margin is ten to one. . . . The king of this country always wanted to send envoys to the Han, but Anxi [Parthia], wishing to control the trade in multi-coloured Chinese silks, blocked the route to prevent [the Romans] getting through [to China].

Thursday, August 22, 2013

Moving sand dunes on Mars

Moving Sand Dunes on Mars, by Amelia Carolina Sparavigna, Department of Applied Science and Technology, Politecnico di Torino, Torino, Italy

Abstract: It was recently announced that the sand dunes on Mars can move. This important result was obtained by means of the High Resolution Imaging Science Experiment (HiRISE), the camera onboard the Mars Reconnaissance Orbiter. The images, recorded three years apart, of the dunes in the Nili Patera caldera show that they move. Here we compare an image HiRISE of 2007 with an image of 1999 recorded by the Mars Global Surveyor. Therefore, with the help of Gimp, the GNU image processing software to enhance the images, we can see and measure the motion of the dunes during a longer period of time.

A dune on Mars which is moving. In the Nili Patera caldera.
199 on the left, 2007 on the right


More details and article at:


Thursday, August 15, 2013

Peruvian dunes (Google Earth)



http://staff.polito.it/amelia.sparavigna/DUNE/

"Moving Dunes on the Google Earth" at http://arxiv.org/abs/1301.1290
(where I show how to use the time series of the Google Earth to estimate the motion of the barchans. I discuss also how to use reference points and adjust the Google images to have a "movie")

"A Study of Moving Sand Dunes by Means of Satellite Images"

Sunday, August 11, 2013

From Google Earth to Tatooine

Today (11 August 2013)  I found this article entitled "Star Wars home of Anakin Skywalker threatened by dune" http://www.bbc.co.uk/news/science-environment-23375344
It is told that "Sand dunes migrating over the Tunisian desert are poised to bury a famous Star Wars film set. The buildings of the fictional city Mos Espa featured in The Phantom Menace, "Episode I" of the Jedi saga. Sited on the planet Tatooine, this was the home of the young Anakin Skywalker ... Scientists have used the dwellings as a fixed geographic reference to measure the migration of giant wind-blown crescent-shaped dunes, or barchans. They have published details in the journal Geomorphology." The paper is in press, and you can see it at  http://www.sciencedirect.com/science/article/pii/S0169555X13003486
BBC continues "Ralph Lorenz, from Johns Hopkins University, ...  visited the Mos Espa site in 2009, and noted that part of a nearby set used in Star Wars Episode IV: A New Hope had already been overrun. Using satellite images of the site, they were able to determine the speed of dune movement, which is approaching the buildings once inhabited by such luminaries as Anakin, his slave owner Watto, and rival podracer Sebulba".
Before these "Dunes on the planet Tatooine",  on 4 January 2013 it was published  my "Moving Dunes on the Google Earth", as you can find at http://arxiv.org/abs/1301.1290, where I showed how to use the time series of the Google Earth to estimate the motion of the barchans. I used the barchans in Peru. I have also  discussed how to use reference points and adjust the Google images to have a "movie".
It seems that the authors of "Dunes on planet Tatooine: Observation of barchan migration at the Star Wars film set in Tunisia" do not know my "Moving dunes on the Google Earth" because my paper is not cited.
Therefore I cite myself!

And show you a "movie" of the barchan which is threatening Luke Skywalker's home.








Moving sand dunes on the Google Earth

"Moving dunes on the Google Earth" is my paper on arXiv, published 4 January 2013. It shows how using GH time series you can see the motion of dunes. Here an example.


To see a movie, please visit Moving sand dunes ... post

Sunday, July 14, 2013

Dharmadhatu



Dharmadhatuvagishvara Manjushri, gilded bronze, Nepal, 19th century
MAO, Museo d'Arte Orientale, Torino

Angeli e Demoni


Il Tibet al Museo d'Arte Orientale di Torino

Amenhotep II

Amenhotep II (Amun is Satisfied) was the seventh Pharaoh of the 18th dynasty of Egypt. Amenhotep inherited a vast kingdom from his father Thutmose III.  His reign is usually dated from 1427 to 1401 BC.


Museo Egizio Torino

Kongorikishi



"Kongōrikishi (金剛力士) or Niō (仁王) are two wrath-filled and muscular guardians of the Buddha, standing today at the entrance of many Buddhist temples all across Asia including China, Japan and Korea in the form of frightening wrestler-like statues.
They are manifestations of the Bodhisattva Vajrapāṇi protector deity and the oldest and most powerful of the Mahayana pantheon. According to Japanese tradition, they travelled with the historical Buddha to protect him and there are references to this in the Theravada Scriptures as well as the Ambatta Sutta. Within the generally pacifist tradition of   Buddhism, stories of Niō guardians like Kongōrikishi justified the use of  physical force to protect cherished values and beliefs against evil. Nio-Vajrapani is also seen as a manifestation of Mahasthamaprapta or the Bodhisattva of Power that flanks Amida in the Pure Land Tradition and as Vajrasattva, the Dharmapala of the Tibetan tradition...

...Kongōrikishi are a possible case of the transmission of the image of the Greek hero Heracles to East Asia along the Silk Road.  Heracles was used in Greco-Buddhist art to represent Vajrapani, the protector of the Buddha (See also Image), and his representation
was then used in China and Japan to depict the protector gods of Buddhist temples. This transmission is part of the wider Greco-Buddhist syncretic phenomenon, where Buddhism interacted with the Hellenistic  culture of Central Asia from the 4th century BC to the 4th century AD.[4]

Source: Wikipedia

See also http://stretchingtheboundaries.blogspot.it/2011/04/kongo-rikishi.html

Sunday, June 30, 2013

Solar orientation of Ales Stenar

Ales Stenar and the direction of the sun during the day as given by sollumis.com, on the Winter and Summer solstices. The image shows a good agreement with the solar orientation suggested in
Andrew M. Kobos, January/February, 2001. Ales Stenar: When? Who? What for?,
http://www.zwoje-scrolls.com/as/aleseng.html

More 
On the solar orientation of Ales Stenar site, A.C. Sparavigna


UPDATE AND UPGRADE (2016)
To see Ales Stenar and its orientaton to the MOON see this:


Monumentum anacyranum

Index rerum a se gestarum: sive Monumentum anacyranum. Ex reliquiis Graecae interpretationis

The name Monumentum Ancyranum refers to the Temple of Augustus and Rome in Ancyra (modern Ankara, Turkey), or to the inscription Res Gestae Divi Augusti, a text recounting the deeds of the first Roman emperor Augustus, the most intact copy of which is preserved on the walls of this temple.





The Roman Centuriation in the Middlesex District

The Roman Centuriation in the Middlesex District. (Brentford Printing and » 20 Jun 1908 » The Spectator Archive

The Roman Centuriation in the Middlesex District.
(Brentford Printing and Publishing Company. 3s. 6&)—
This is an addendum to Mr. Montagu Sharpe'e "Antiquities of Middlesex" A centuria was a square plot of land containing fifty iugera, equivalent to thirty-one and a quarter acres. This was the measure used in dividing the land of a conquered country. Each Roman citizen had four centuriac ; part was restored to the natives ; odd bits and unoccupied lands were leased out; forests, &c., were dealt with on the same principles. Mr. Sharpe writes about the details of this division—boundaries, landmarks, &c.—and applies his deductions to the Middlesex region, with some portions of the adjoining counties. He makes out eight territories (named "Break- spear's," "Colne," "Pontes "—these are in the west—" Ridge," "Sulloniacae," " Harrow," " Home," "Lea "). We cannot discuss the details, but we may point out a highly interesting list of landmarks as related to the road system given on p. 14.

More at
http://www.cantab.net/users/michael.behrend/repubs/sharpe_middx/pages/ehr.html
"Evidence that this area had been settled by a Romano-British agricultural population was obtained in this way. For some time past it had been noticed that many fragments of its ancient rural ways ran in parallel lines, and were crossed at right angles by similar ones, which in the several districts of the county were distinguished by a different orientation. Thus in the northeastern division the direction of the cardinal ways was from north to south: in the southern portion between the Brent and the Lea rivers, and into Essex, they pointed south-south-east. Over the south-western area and beyond the Colne into Buckinghamshire the course was south by west, and in the north-western district they were again south-south-east. Passing into that part of the Middlesaxon province lying south of the upper Colne and Lea, but now in Hertfordshire, the two orientations were {490} respectively south-east by south, and south by east. A further feature was that many crossways occurred at equal intervals, and along one road five in succession were found at distances of 120 Roman poles or 388 yards, two being roads, two foot paths, and the other an ancient field boundary, presumed to have been formerly a plough balk or a footway.
It was manifest that this laying out of land amounting to 181,000 acres could not have been the result of chance, but must have been carried out at a time when the soil was mostly in its primitive condition, by a conquering race who had seized it, and who were accompanied by skilled land measurers. All this pointed unmistakably to the Romans and their corps of agrimensores, trained in applied geometry and using scientific instruments. The writings of the Gromatici Veteres were next consulted for information as to the manner in which Roman lands were surveyed and laid out, and it is worthy of note that one of the most eminent of these writers was Sextus Frontinus, Propraetor over Britain from a. d. 74. Among the more enduring bench or land marks used by Roman surveyors were mounds of earth (up to the size of a small haystack), stones, and trenches, and in these three respects important discoveries have been made in the county. A mound (botontinus) is to be seen both in Cranford and in Syon parks, also at Hampstead, Stanmore, Hadley—where there are two—and just out of the county at Salthill, Slough. Two others have not long ago been levelled, one by Bushy Park and the other at Hillingdon, while local names apparently preserve the sites of half a dozen more. Four stones are still in situ; two marked on old maps no longer exist, and the former positions of several others can be located. Two trenches are still to be seen.
A map showed that these boundary marks and the remnants of the oriented ways were naturally co-related, that each district had been of nearly equal area, rectangular in form, and contained by a boundary line, the course of which was disclosed by the botontini and stones. It was also seen that these districts or pagi were in general identical in area with those of the later hundreds of the Saxon period, as set forth in Domesday. From the orientation of the pagi, the territorium of the Londinium canton appeared to extend from the foot of the Chiltern hills across Middlesex and into Essex; the pagi had been laid out by lines (quintarii) crossing one another at right angles, and so forming possessae, each of which according to the text-book, and in fact, contained 1,300 jugera equal to 810 statute acres. These in turn could be divided into 25 laterculi or small centuriae of 50 jugera lying in rows of five, plus an area equal to a centuria distributable over a possessa for lanes and paths. This provision, equal to one-{491}twenty-fifth of a surveyed area, was later on found to have an important bearing when comparing the total acreage of the Roman and Domesday surveys of the county, for the latter did not include road surface. A side of this square centuria measured 120 Roman poles or 388 yards, and five of them lining the face of a possessa accounted for those five successive equal intervals formed by crossways which were noticed upon a Middlesex road between Greenford and Ealing as above mentioned."


http://ehr.oxfordjournals.org/content/XXXIII/CXXXII/489.citation

http://www.persee.fr/web/revues/home/prescript/article/dha_0755-7256_1990_num_16_2_1489

http://www.uea.ac.uk/~jwmp/NAHRG04.pdf


Saturday, June 29, 2013

On Ancient Chinese Towns


Sculpture of lion with three cubs from Dadu, discovered underneath the Ming era city wall, now on display in the Beijing Stone Carving Museum
Courtesy: Shizhao, Wikipedia    

Khanbaliq or Dadu  refers to a city which is the core of Beijing.   Dadu or Ta-Tu (大都, pinyin: Dàdū, Wade-Giles: Ta-tu), means "great capital" or "grand capital" in Chinese, the name for the capital of the Yuan Dynasty founded by Kublai Khan in China, and was called Daidu by the Mongols, which was a transliteration directly from the Chinese. It is known as Khanbaliq (汗八里), also spelled as Khanbalikh in Turkic languages, meaning "Great residence of the Khan", and Marco Polo wrote of it as Cambaluc.

On Khanbalik and other Chinese Towns, see please:

A possible role of sunrise/sunset azimuth in the planning of ancient Chinese towns by  A.C. Sparavigna,
PORTO POLITO, http://porto.polito.it/2519296/